|
Written by Dr. Chaman Lal Raina
|
|
Sunday, 20 April 2008 19:33 |
MIRA BHAI-The Princess Devotee : by Dr. Chaman Lal Raina | | MIRA BAI --- THE DEVOTEE OF KRISHNABorn in the year 1499 A.D.,Mira Bai was a princess of Kudaki Merata of the Rathore clan of Marward in Rajasthan. She was the daughter of the Rathore king Rattan Singh. The Chosen deity of the Rathore clan is Bhagavan Shri Chaturbujanath, and that is none else but Lord 'Narayana' with four arms. Their clan was initiated into the Nimbaraka tradition of Shri Radha Krishna - Sarveshwar ji of Salemabad (Rajasthan). The Nimbharaka tradition believes in the Dvaita-Advaita mode of worshipping the Bhagawan Vishnu, i.e. duality and non- duality of the Absolute Divinity. The being and becoming are to be woven through Bhakti and Jnana.. This princely clan is said to be Vaishnavites, belonging to the 'Saguna' sect - realizing the Lord with attributes and form, along with the Shakti, in the form of Shri Radha. In this religious atmosphere the great Mira was born."The forehead of the little Mira, shows the signs of the female Guru", said by the royal astrologers of that pricely clan. Child Mira once rose up startled by the sound of marriage procession, that took place, below their palace. Mira of five was asleep at that time. She saw the child bride groom, dressed in the beautiful Mewari robes, artistically adored. Mira cried, "O Mother ! Who is my bride groom ?" Swift and prompt came the reply from her mother, "Giridhar Gopal is your bride groom."Girdhar Gopal , the idol of Lord Krishna, placed in the palace and child Mira took it very seriously and started paying her respects to the idol. Since then Giridhar Gopal became a focal point of her adoration with the mental attitude to seek Him, in that idol. This is known as Shabda-Shakti - the power of the Word, as described in the Shakti tradition and in the Upanishadic scriptures. Shabda is Brahman. The Word is absolute Reality, the primal manifestation. It is the VAK, which is revered as the Para-Shakti in the Agamas.Hinduism believes in the reincarnation. Lord Krishna is said to be the 'Shodasha Kala Avatara' - the Lord with sixteen digits - the sacred number in the Shakti tradition. The Devi Radha is said to be the sixteen syllabled Mother - Creatrix. Lord Krishna and Radha are complementary to each other to fulfill the Divine design of mutual understanding and trust. They took the Avatara to play the role of Divine transcendence. In the language of Sri Aurobindo an Avatara lives the normal life, but his being is always conscious of applying the Divine nature in life. He shows the way, as how to make the life's journey from 'dawn to higher dawn'. It is a way to teach to the humanity how to reach the destiny. Verily, that is spiritual enlightment, for which Mira aspired from her early childhood.What does Giridhar Gopal mean?Giri in Sanskrit means a hillock and Dhar means, he who holds it. The rule of Sanskrit grammer under Samasa/compound known as the Samasat pada suggests the meaning as he who holds the hillock is the Giridhara. So Giridhara is an epithet of Shri Krishna. The Bhagvatam says: Lord Krishna took the mount Govardhan on the little finger of his hand, purely to save the cow and cowherds from the heavy rains during month of Shravana(July/August). During his early childhood,Shri Krishna saved them from the Indra's curse - the god of rains and thunder. Was this a miracle, or a divine intervention, is a mystery for the devotees. But the scriptures say Lord Krishna was a Yogi par-excellence, and as the Avatara of the later part of the Dwapar Yuga, he showed the right path to the humanity, making the people free from the superstitions of the time. One of the names of Shri Krishna is Gopala.Gopala is the Cowherd, as the Yadavas are said to belong to the cowherd clan. Krishna was born of this clan from the wedlock of Vasudeva and Devaki in the prison, because his maternal uncle Kamsa was told by the foretellers that he was destined to be killed by the eighth child of his sister Devaki. So the couple was put in prison, with the motive to kill the eighth child at the very moment, the baby would be born.The Bhagvat Purana says: Lord Krishna was born on the 8th lunar date of the Bhadrapada month at the appearance of the moon time during mid-night at the concluding years of the Dvapara Yuga - third aeon in the prison cell of Mathura. The moment Krishna was born, all the prison doors got opened, the prison officials got mesmerized and fell into sleep, during heavy rains. Vasudeva took the Lord Krishna just new born baby on his head in a Shurpa - winnowing basket and handed over to his trusted friend Nanda Gopa - the chieftain of the cowherds. Thus the Lord Krishna became a Gopala. A cowherd from a prince and the Saviour of Dharma was recognised as the saviour and the Lord. This was the spiritual criterion for Mira to understand the beauty and destiny of Avatara - incarnation, which she expresses in her songs known as Bhajans. Bhajans are the songs sung by devotees. These songs are always seeking for the divine grace.Mira grew in age. She was married to Bhojraj the heir to the throne of Chittor (Rajasthan) in 1516 A.D. Though she was very devoted to her husband, yet she was always attuned with the flavour of Divine name of Krishna. Her singing of the Bhajans, came out not from intellect, but from the inner recesses of her heart. She would dance, playing Iktara - the one stringed musical guitar, in praise of Lord Krishna.This was not appreciated by her in-laws. How the princess - the future queen of Chittor could be a dancing girl in the sanctum sanctorum of Chittor palace ? Thus she was put to trouble, torture and humiliation. She was put in turbulence and her life was made miserable by her 'Devar' the younger brother of her husband. She was poisoned, but with least effect on her body. A cobra was put in the Charnamritam pot and was hit at her. 'Charnamrit' pot is a utensil of the gold/silver/copper in which the sacred Ganges/Ganga water is distributed with Paatri/special spoon three times on the right hand palm of the devotee, by the Pandit - the family male priest, after the ritualistic worship of Shalagram - the circular emblem of Vishnu is over. Thus , she grew more and more stronger in the spiritual ecstasy, through and through, day and night. It is said that her spiritual Guru was Ravidas Ji. It was he, who initiated her in the Girdhar Gopala Mantra - the sacred syllable of the Vaishnava tradition. What does this reflect ? The Divine name can be uttered by any person. It is the virtual ambrosia, and can be taken by the devotee at any time. Vaishnavi Shakti is for sustenance, for maintenance and for the coherence of thought , word and deed. Shri Vaishnava Mantra is for the realization of both Shri Radha and Shri Krishna in the Baalya Avastha/ child hood state of the Lord.She ignored the caste system and worked for the liberation of woman from the traditional Purdha system, that was used by the Rajasthani women then. Through her god intoxicated deeds, she believed that all are equal in the eyes of God.Being put to great humiliation and suffering, by her princely clan, she left for Brindaban - the play field of Lord Krishna and his Shakti in the manifestation of Radha in their childhood and pre- adolescence age. The Bhagavata Purana says : 'God does not descend alone, but with His Shakti also'. Radha is the incarnation of Lakshmi as the consort of Vishnu in His eighth incarnation, with a flute in His hand. Finally, Mira got immersed in the spiritual ecstasy, worshipped and adored Lord Krishna alone.For Mira, Girdhara Gopala became a Mantra of Divine Love. All her thought process was a single pointed devotion to Lord Krishna. All the time, she would be absorbed in treating Him as a child. She danced in singing the glory of Shri Krishna . She sang the inner experience of "Vatsalya Bhaava' in the lovely tunes , as if the Lord has manifested for her amusement. She would sing :Mine is Girdhara Gopala, none else. He who wears the peacock crown is Mira's Lord;Father, mother, brother or kin, none is mine, I have flung the pride of my family:What care I for any one!Living in the company of saints, I bade good-bye to the world and its opinions, I tore aside my veil of many hues and bedecked myself with coarse thread;Pearl and corals---, I cast aside to weave the garland of wild flowers.With my tears for water, I nourished the creeper of love;Now that the creeper has spread, the fruit shall be joy itself.The milk-churn I twirled with deep emotion,And butter I gleaned: let him who would, have the leavings.I was born for devotion's sake, but the sight of the world made my heart captive.Mira is Thy maid, O Lord Giradhara; save me now .Mira is said to be the authoress of the Raga Govinda. A big anthology of Mira Bhajans are available in the Hindi script. Mira stands for unconditional love for the Lord Giridhar Gopal. Stimuli from the sense organs for inward journey reach the state of pure Krishna Consciousness, where they create the feeling of emotions, to have the glimpse of the Lord, which she sang in ecstasy in the form of Bhajans..The impressions and tendencies, gathered from the spiritual atmosphere of saints, the godly persons, Sadhus made a pavement for Mira to ascend to the kingdom of God, which is 'Vaikuntha' in the Vaishnava tradition of Hindus. She left her mortal body in 1546 A.D. at Dwarika (Gujarat), and she lost herself in the realm of Supreme Lord Giridhar Gopal. Her name and form merged itself in the Supreme consciousness, known as Samvit in the scriptures.Before ascending to the higher consciousness of Samvit, she felt the rejuvenated life bubbling out of her ecstasy :"How I prize the thought of heavenly bliss in my mind!My eyes are filled with tears as I think of my Home; The heart is constantly aching, every momentThe pain is getting more and more excruciating.At night or in day I know no sleep, Nor have I the least craving for food or drink.Such pain dwells within me that I lie sleepless night and day.To whom should I describe my anguish?In my pain I wander hither and thither.I seek a physician of Those Regions: None is there to guide me;I met my Sataguru, Saint Raidas, Who gave me a souvenir in the shape of the Name of God.I advanced and met my Lord, then was my pain allayed.I threw dust on the head of the world,Then did I attain to my Home.(c.f. The Story of Mira Bai published by the Gita Press, Gorakhpur, India) |
|
|
Written by Dr. Chaman Lal Raina
|
|
Thursday, 17 April 2008 19:40 |
"पलायन की वो काल-रात्री" ----जया सिबू७मार्च १९९० रजनी तू काली!शासन की करनी भी काली काले करतूत काले मन्सूबे, सिर पर थी पट्टी वो भी काली --पहना था फ़ेरन--- वो भी था काला चारों और काले झण्डे ज़न्जीरें भी थी काली ---काली रात में --घर से निकले मार्च् १९९० की मध्य रात्री पलायन----- कि कहीँ किसी की दृष्टि न पडे, मन्दिरों पर लगा था ताला-- वो भी था काला! अन्धेरी रात में निकलना था दिशाहीन मार्ग पर जाना---चारों तरफ काला ही काला।
|
|
|
Aditya and Shakti Tradition |
|
|
|
|
Written by Rajanak Raina
|
|
Monday, 15 October 2007 19:06 |
|
AaDITYA and Chakreshvara. ------Chaman Lal Raina Aditya is the formation of the SAPTA MATRIKAS--Seven Matrikas, as a-a -d-i-t -y -a. All the Seven Matrikas are finding their abode in the CHAKRESHWARA at Hari Parbat.The great Shakti worshippers of Kashmir, would meditate the Maatrikas at Shrichakreshvara. In the word Aditya, there are Two As,as a+a, becoming 'aa'--sound, one D , One I, One T One Y and One A, consisting of SEVEN Phonemes, in the Sanskrit Varnamala. The First Two As are the personifications of Brahma and Vishnu . D means the Dhatri Shakti, I means Ichha Shakti , T is celestial Fire,Y is Antastha--Yogi, and last A is the Bhava Ruupa of Maheshwara. The word is said to be the "SAMPUTA Shabda" according to the Kashmir Shakta point. How? Samputa means sacred within A & a . Hence Devatas are adored as the Aditya, as all the Devatas have been created through the IchhaShakti of Hiranya Garbha The Devi Atharva Shirsha speaks of Twelve adityas, which govern the solar system and keep the universal flux in seed/ Adi Bija ,sound / Adi shabda and syllable/ adi Akshara, through the Prakash--Eternal light. Chakradharini -Bhavani is with the crown of consciousness.Chakradhara Krishna and Bhava Shakti are identical, according to the First Chapter of the Durga SaptaShati, revered as the Devi Mahatamyam. Nava Ratra kii Pahli kiran Par Divya Shakti Ne janma liya, Abhudaya ke liye Nava Nirmaan mei Sunishchit Nirnaya Lene ke liye--- ki Devi Shakti ko punah sambhodit kiya jaye bhaava shuddhi se tapas Ki agni hotra se shuchita ke Aalingan Mei Apni Madhu maya yoga Bhaava Prakriya se. Raginya Devi Ke Darbar mei Lalayit hote hai sabhi----, Deviyaa'n aur Devta sabhi Amrit kund ke Bhavya darshan ke liye! In Nava Ratroo ke hii din, Thay ham kitne Bhagya shali ki nitya Ashtami par jate thay Sakshat ke liye Aaj bikhre huyi parishti mei hii Naman karte hai Man kii Mudraa se Tan kii Shuchitaa se Bhavani Matri Devi ko Aalingan Karne Ke Liye! visthapan ki Anishchit Avadhi mei ------Jaya Sibu
|
|
Last Updated on Monday, 15 October 2007 19:12 |
|
Written by Dr. Chaman Lal Raina
|
|
Wednesday, 17 October 2007 14:39 |
|
WALIW KOSHUR HECHHAV वलिव कोशुर हे॑छव Let us learn Koshur/Kashmiri
Lesson No 3 Asi Chhi Setthah Khvashi Zi Kashiri Za'baini Suutya thawuwu loi tu khoi, असि छि सेठाह् ख्वशि ज़ि काऽशिरि ज़बाऽनि सू॑त्य थऽवुवु लो॑य तु खो॑य we are very happy that you are taking interest in learning the Kashmiri Language Waliw Teli Karav Az pananis garasa Mutalaq katha baathah वलिव त्येलि करव अज़ पननिस गरस मुतलख कथाह बाथाह We shall therefore, talk about the things that are related to our homes! Az hechhav Garas tu Makaanas kyah Chhi faraq. अज़ ह्येछव गरस त॒ मकानस क्याह छि फ़र॒ख today we shall learn about th HOME & HOUSE Home is Gar'aगर॒ House is Makaan मकान About Home Garas Mutalaq--गरस मुतलख Koshur Gara Kashmiri Home--कोशुर गर॒ Tripor Makan त्रिपोर मकान॒ Three Storeyed House Buthi Aangunबुथि आँगुनFront Yard About flooringस्योद॒ मेचि आँ गुन front yard with simple soil Paitri Angun-- पाऽत्रि आन्गुन् Front yard with rocky slabs seemath karith Angun--सीमठ Cemented Front Yard Aangnuk Bar / Darwaaz'uआँ गनुक बर दरवाज़॒Door of the Front Yard Angnas Manz Nalkaआँ गनस मन्ज़ नलक - Water tap in the Front Yard Nalkuk Hoaz -नलकुक होज़Coverd WaterTap Braand-Tu-Brand Paiw --ब्राँद त॒ ब्राँदपाऽव्य Steps of the Wuz-वुज़-Passage for enetring the First Storey of the house Wo't --वो॑ट-First storey of the house Chowk'u-चोक॒-kitchen Chowk'u Damda'ir --चोक॒ दमदऽरwooden /concrete Partition , keeping the kitchen separate Daan-दान--traditional stove made of mud, bricks, husk, in which fire wood is used as fuel. Tri Choar Daan---त्रिचोर दान Three stoved kitchen Du Choar Daan--two stoved kitchen Ok Choar Separate One stoved kitchen items used for burning BoTth--बो॑ठ Cowdung for burning purposes in the kitchen. Zyun--ज़्युन Fire wood kInds of Fire wood weeri Zyun--वीरि ज़्युन wood from the Willow trees Hatbi Zyun--हतबि ज़्युन Tula Zyun -- तुल॒ ज़्युन wood from the mulbery trees kaayur zyun-- कायुर ज़्युन Ideal kitchen लिविथ ति डुविथ चोक॒ श्रूच तु श्रोन Liwith Tu Duwith Chowka, shruuch tu shrona neatly mopped Offerings made in the kitchen Saniwari -सणिवारि-two small pots kept for oblation purposes to the Ishta Deva and Ishta Devi Baanu baTha--बान॒ बठ॒--utensils क्रऽछ -डक॒न- ताऽव LoyiThaal--लोयि Sartali thaal-- सरतलिथाल-- Braas plates Diicha-दीचि bohgun-बोह्गुन Tumba-तुम्ब Tuur--टूर Khos Brass cup gadwu or Gada --गड Gilaas--गिलास॒ Tumbler Chumta-चिम॒ट॒ Krotch-क्रो॑छ tsuni lyol-चु॒नि ल्योल No't नो॑ट Gaagr'i --गाग॒र Baalteen-- बालटीन समावारSamaawaar-- बालटीन समावार Tshuni--चुनि Foods prepared in the kitchen Sheer Chai--शीर चाय, मोगिलि Mogli Chai /qahwahबत॑/ Batu/rice स्युन Syuna /vegetables and non-vegetables, e.g. gaada nyeni-- गाड॒ न्यञि. Chochi- चो॑चि kinds of bread Tomlu Chota -तोमुल चो॑ट, kunka Chota- कुँक॒ चो॑ट, Chhir Chota- छिर॒ चो॑ट, KreCha wor-क्रेछ वो॑र Floor used to be covered with Patij and Waguw--पतुज and वगुव Taaq Patij--ताक़पतु॒ज Later development waguw to be covered with kamal, gabba, namda, or qa'ileen--कमल गब॒ नमद॒ क़ाऽलीन Taqiya--तक़िय॒ About the walls. These are made of bricks, plastered with mud-- म्येचि बोर or zaiwul- Kesri Bor-- ज़ाऽवुल क्यसरि बोर Coloured / with distamper. Taalaw-- तालव-Ceiling Syoda Pacha Taalaw-स्यो॑द पचि तालव\Wasa taalaw-- वस तालव designed Ceiling with small rectangular peices. About dair--दाऽरwindows शीशदारि--glass windows जोरिदारि -designed glass and wooden windows one window is called Dair -दाऽर More than one window is called Daari--दारि, But there used to be two windows in the old house or the modern house, in the First Floor. Tsyuun -च्यूनColumn Taakh ताख Tu Taakuchh-- ताखुच, Almairya-- अलमाऽर्यalmirah Almaari Khaan'ua--अलमाऽर्यखानु॒ Shelf |
|